Showing posts with label JOSH_SHADDOCK. Show all posts
Showing posts with label JOSH_SHADDOCK. Show all posts

Thursday, February 19, 2009

Josh Shaddock, Press Release

For Immediate Release:

JOSH SHADDOCK
Look the other way
19 February through 28 March 2009
Selected by Alex Logsdail

The Look, 2009, inkjet print, 35 1/4 x 27 1/2 inches

Gallery-C is pleased to present an exhibition of new works by New York based artist Josh Shaddock. Entitled ‘Look the other way’, the exhibition will run from the 19th of February through the 28th of March. Gallery-C is an autonomous project space located within the walls of Team Gallery in New York, 83 Grand Street, between Wooster and Greene.

The works in ‘Look the other way’ have in common the subject of sight and seeing, and as the title implies, share a more specific concern with the discomforts and transformations attendant to looking at, and being looked at by, others. They also share as material the unnoticed and seemingly insignificant (whether through obscurity or ubiquity).

In 'The Look', a press photograph of Jean-Paul Sartre has been retouched to correct the orientation of Sartre’s badly wall-eyed (and blind) right eye, producing a stare that would have been both physiologically impossible and philosophically problematic for Sartre. With 'IS/SI' the viewer is confronted with his or her own image and gaze in the form of a row of mirrors whose proportions and colors are made to match the complete run of the journal Internationale Situationniste. In contrast to the somewhat arcane origins of the above works, other works in the exhibition are derived from common clichés. Expressions such as “Looking at life through rose-colored glasses” or “Like watching paint dry” are used as starting points and then extended or misused, generating new relations to their origins and accepted uses.

The invisibility shared by the ordinary and obscure is a preoccupation in Shaddock’s work. Through this he considers everyday objects and language, popular culture, image production, etc. to produce work that, while formally diverse, shares the humor, confusion, and delight of being shown something for the first time (again).

Josh Shaddock has exhibited his work since 2004 and has been included in many group shows at public and private spaces such as White Columns, CCA Wattis, The Brooklyn Academy of Music, Small A Projects, Glenn Horowitz Bookseller, Kunstlerhaus Palais Thurn und Taxis in Bregenz and The Arcadia University Art Gallery. He was also included in the 2007 edition of the East International, in Norwich, England.

Gallery-C is open from Tuesday through Saturday, 10am to 6pm. For further information and/or images please call 212.279.9219 or email alex@teamgal.com.

Josh Shaddock, Images


JOSH SHADDOCK
Look the other way

Images

The Look, 2009, inkjet print, 35 1/4 x 27 1/2 inches


IS/SI, 2009, 12 mirrored plexiglas panels with colored laminates, 14 x 9 3/16 each, total 14 x 110 inches


Rose Colored, 2009, 3 framed inkjet prints and colored Plexiglas, 16 3/4 x 12 inches each


You and I (screenshot), 2009, Endless digital loop on monitor


Like watching paint dry, 2009, Looping DVD projection, 17 minutes 22 seconds


Installation shot, JOSH SHADDOCK, Look the other way, 2009

Josh Shaddock, Bio


JOSH SHADDOCK

Bio

dial 6 for Murder, altered film poster, 2007


Born 1973, Hattiesburg, MS. Lives and works in Brooklyn, NY.

EDUCATION

School of Visual Arts, New York, NY
Master of Fine Arts, Fine Arts Department, May 2006

Temple University, Tyler School of Art, Philadelphia, PA
Bachelor of Arts, Art History, May 2004

SOLO EXHIBITIONS & PROJECTS

Look the other way”, Gallery-C at Team Gallery, New York, NY (2009)
“It goes without saying.”, Small A Projects, Portland, OR (2007)
Bulletin Board Project Space, White Columns, New York, NY (2005)

GROUP EXHIBITIONS

2009
A sensed perturbation”, Murray Guy, New York, NY
“Rich Text”, Fleisher/Ollman Gallery, Philadelphia, PA
“Second Look (At the Surface)”, Kunstlerhaus Palais Thurn und Taxis, Bregenz, Austria

2008
“200597214100022008”, Small A Projects, New York, NY
“Next Wave Art”, Brooklyn Academy of Music, Brooklyn, NY
“Ambassador Suites” Galerie Lucile Corty, Paris, France

2007
“East International 2007”, Norwich Gallery, Norwich School of Art and Design,
Norwich, England
“East Goes West: Video Work from the East International”, Mandrake, Los Angeles, CA
“High 5: Emerging Art in America”, The CW Network, Burbank, CA
“Now Playing: Artists Who Borrow from Film”, Glen Horowitz Bookseller, East Hampton, NY

2006
“Green Light Green Light”, Small A Projects, Portland, OR
“25 x 25”, Cereal Art Project Room, Philadelphia, PA
“Open Walls #2”, White Columns, New York, NY
“…dirty words”, Galeria Pedro Cera, Lisbon, Portugal
“2006 Benefit Auction”, White Columns, New York, NY
“Prime Time: SVA MFA Fine Arts Thesis Show”, Visual Arts Gallery, New York, NY

2005
“General Ideas: Artists Rethinking Conceptual Art 1987-2005”, CCA Wattis Institute for Contemporary Arts,
San Francisco, CA
“IAM5”, Parker’s Box, Brooklyn, NY, representing White Columns

2004
“Works on Paper 2004”, Arcadia University Art Gallery, Philadelphia, PA

PUBLICATIONS & REVIEWS

EAST international 2007, 2007, Norwich Gallery, Norwich, England (ill.)
Herbert, Martin, “East International 2007”, Art Monthly, September 2007, pp. 309-10 (ill.)
Pearson, Tony, “East International”, Modern Painters, November 2007, pp. 96-97
High 5: Emerging Art in America, 2007, CW Network, Burbank, CA (ill.)
Row, D.K., “Conceptual Digressions”, The Oregonian, April 7, 2007 (ill.)
The W.C.#12, 2006, White Columns, New York, NY
General Ideas: Rethinking Conceptual Art 1987-2005, 2005, CCA Wattis Institute for Contemporary Arts,
San Francisco, CA

GRANTS & AWARDS

Rema Hort Mann Visual Art Grant, 2007
Mildred Bougher Award, Arcadia University Art Gallery, 2004